Who’s In Charge Here? – Rasputina

Purpose: Determine a band’s leader by analyzing a publicity photo.

Disclaimer: A band’s inclusion on this blog reflects neither an endorsement nor a criticism of its music. This post is merely intended as a spotlight on the inner political workings of a collection of individuals who are in the midst of a cooperative, creative endeavor.

The Process:
You, dear reader, please answer the question, “Who’s in charge here?”

After sufficient discussion has taken place, a verdict can then be passed based on a majority vote.

Band: Rasputina
Genre: Indie, with possible goth or Renaissance Faire nuances
Website:http://www.myspace.com/rasputina

The Verdict (UPDATED!)

Okay, enough time has elapsed, methinks, to render a verdict. Goddammit. Did I just say “methinks”? Oh, these crazy medieval-dressing troubadours, they have all my four humours in a churned-up state.

Jin gave what I would call a half-hearted vote to the dude, qualifying it by indicating that his authority was really only in his mind. I’m afraid that I can’t count that as a full vote, as the leadership question is still somewhat open to interpretation with her delicately-phrased comment.

Manx, without hesitation or concern for his personal safety, picked the fair lady on the left.

Although Bubs brought some very relevant information to the table, he left his vote back at the SRC (that stands for Sprawling Ramshackle Compound — be forewarned, he’ll use that acronym from time to time).

Surprisingly, kristi did not vote, despite the fact that she is apparently in this band (that’s her on the right).

So, with one vote, girl on the left with the weird white lines and curly hair and/or ribbons wins.

RedEye: Putting the ‘Sex’ Back In Sexual Predator

Local paper the Chicago Tribune puts out a free daily newspaper called RedEye, which is more of a hip, “edgy” infotainment rag geared toward a younger demographic.

Recently, there have been a series of assaults against women on the north side of Chicago. Today, both the Trib and its RedEye are carrying stories related to these attacks in the online editions of their respective papers.

The interesting difference is what image they are running with the accompanying story.

From the Chicago Tribune:

From the RedEye:

In the print edition of the RedEye, the above image actually takes up the entire cover, and isn’t tinted red. It’s just a regular color picture of the backside of an attractive female walking down the street.

It’s as though you, the reader, are stalking her! Sexy, eh?

Deliverance

Including “Dueling Banjos” on the recent Shark Mix made me think again about the movie that popularized the song, Deliverance.

I really like this movie a lot. I know that this song has come to be used as a lazy shorthand jab at rural Southerners, but the scene containing the song is really amazing, and much more complex than the cheap jokes and inferior imitations it has spawned.

Seeing characters like the urban hillbillies who capture Bruce Willis and Ving Rhames in Pulp Fiction (a scene not all that bad, especially compared with all the other psychohillbilly scenes in various movies), I just think that the greatness of this scene, and this movie, is eclipsed by a lot of easy prejudice and stupid jokes.

The “dueling banjos” scene is a meeting of two different cultures, and in the four main protagonists you get a really good sense of their characters.

Burt Reynolds’s character is full of bravado, forcefully macho.
Ned Beatty has contempt for anything different than himself.
Ronny Cox is enthusiastically engaged, only wanting to learn.
Finally, Jon Voight is sort of a blank slate (who later on the viewer is meant to identify with).

I love that this scene shows music bringing people together. During just the several minutes of the song, you see the suspicion between the cultures melt away. Burt Reynolds loses his macho scowl. Ned Beatty even manages to crack a smile. The quiet boy playing banjo starts laughing.

But, as soon as the song stops, everything snaps back. People are closed off, Ned Beatty says, “give the kid a couple bucks.”

It’s just a damned fine scene that gets soaked in parody maybe a bit too much.

The Shark Mix – Now In Liquid Form

After the initial test drive of the Shark Mix, I think the kids have no major complaints. The big winners were Captain Groovy And His Bubblegum Army, Gartloney Rats, and Bubble Gum Music.

However, my eldest son and I actually spontaneously sang a couple lines of the Donovan song. My daughter dug the Beastie Boys song, which wasn’t a big surprise to me — she’s got the feeling of rhythm in her, by golly.

beth recommended I share the Shark Mix with all y’all in its natural state (songs), so here it is.

Enjoy!

01 – R.E.M. – Stand

02 – Captain Groovy And His Bubblegum Army – Captain Groovy And His Bubblegum Army

03 – The Who – I Can’t Explain

04 – Can – Moonshake

05 – The Stooges – No Fun

06 – Clarence “Frogman” Henry – Ain’t Got No Home

07 – Donovan – There Is A Mountain

08 – Everly Brothers – Illinois

09 – VU – Sweet Jane

10 – David Bowie – Heroes

11 – Shonen Knife – Top Of The World

12 – The Pogues – Gartloney Rats

13 – The Smiths – Ask

14 – CCR – Bad Moon Rising

15 – The Rock ‘N’ Roll Dubble Bubble Trading Card Co. of Philadelphia 1941 – Bubble Gum Music

16 – Beastie Boys – Shadrach

17 – The Primitives – Crash

18 – Pylon – This, That

19 – Jimi Hendrix – Crosstown Traffic

20 – R.E.M. – Disturbance At THe Heron House

21 – Method Actors – Halloween

22 – Buddy Holly – Learning The Game

23 – Cat Stevens – Tea For The Tillerman

24 – Eric Weissberg and Steve Mandel – Dueling Banjos