Karl Marx: “I don’t care to belong to any social class that will have me as a member.”
The Drunken Severed Head Meets DPK


Part 1 of some excerpts from an interview conducted by Max The Drunken Severed Head with my adopted actor, David Patrick Kelly.
The interview was conducted in Pittsburgh on May 19th, 2007. It has not been published to this date.
Yes, this is brand new, never-before-seen interview material with my adopted actor! Thanks again, Max!
Max, The Drunken Severed Head:
My first question would be, basically, how did you become interested in acting? What were the circumstances?
DPK:
I think it was the Catholic Church. I had a happy upbringing. I was an altar boy in the 50’s, and saw all that ritual, and the costumes, all the vestments and everything else. There was something about it that was mysterious and great.
My father was a painter, so we always had painting going on in our basement. There were big scenes. He painted the furnace to look like a tree, and the walls were always covered with paintings, so I think it was just an environment. My mother taught me music. And it was a combination of these twin things in my family, art and music.
So I think that combination made it obvious, just combined to make that all interesting for me. And then, literature too. My family was always bookish. So the combination of all those things made it happen. And the first thing that I was interested in was Samuel Beckett and things like that. And Dostoevsky in high school. These were great characters.
I’ll always remember a kid saying to me once, “You’re an actor,” just out of the blue. I was just playing in bands in high school, and things like that. And he said “You’re an actor” and it sort of stuck. It was sort of prophetic.
So, the combination.
The biggest influences on me growing up in Detroit was MUSIC, really. ‘Cause I’d seen these great acts. My high school friends and I, we had the MC5 — I don’t know if you know them — and Iggy (Pop) were around, in Detroit, and the MC5 played at our junior high school dance. You know, this theatrical, amazing group of people with this powerful thing. But then we would journey around. I saw Jimi Hendrix, and the Beatles. I saw The Doors at Cobo in Detroit.
And this was a very theatrical time. All my friends and I, we wanted to go to the circus school. For some reason, circus was a big influence. Going down to Ringling Bros. and Barnum and Bailey. But then, just reading the literature, and getting involved with Shakespeare in college, at the University of Detroit, where I graduated. My first show in Detroit was a combination of music and theater, HAIR.
Yes, It Is Still On
I glanced at the front page of the Chicago Sun Times today and saw this headline:
Vanna White’s Chicago fashion designer
Vanna White is the official letter turner of the stupidest game show ever, Wheel Of Fortune. If you disagree with me and think another game show is more stupid, feel free to dispute me in the comments.
And if you’re going to suggest High Rollers is more stupid — a game where contestants roll enormous dice on a crap table — you’re just plain wrong. Big dice are not stupid. A big wheel that has “Bankrupt” written on it is waaaaay more stupid.
Several shows of Wheel of Fortune were apparently taped at Navy Pier in Chicago over the past weekend. Thank you to the Chicago Sun Times for not allowing this lead to be buried.
Unconnected Tuesdays
Another February Is No Meme Month Draws To A Close
Thanks to everyone who participated in February Is No Meme Month by not participating in the proliferation of memes.
As you are probably already aware, the restrictive use of memes in the month of February allows nutrients to return to the soil that have been leeched by repeated blog-taggings and linkbacks.
The cessation of memes also significantly decreases light pollution in major metropolitan areas, and promotes regrowth of vegetation weakened by the toxic exhaust of the blogosphere.
As this month draws to a close, let us all remember to continue to blog responsibly!
Thank you,
The Mgmt.
Spice Rollcall!
An ASCII Monkey Gives You The Finger
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ooO Ooo
The Diablo Cody Backlash Continues
You need not look far to see the widespread backlash greeting Diablo Cody’s recent success, which reached its peak with her Best Original Screenplay Academy Award for Juno.
Yet another group of people have emerged to vent their disapproval of Ms. Cody’s past work.
Morgan, age 33: She never did understand the aesthetics of the pole.
Chris, age 31: Could not or would not make change.
Casey, age 33: Offstage she was all, ‘I love Iggy and the Stooges!’, but as soon as she got onstage it was all urban light contemporary.
Alex, age 53: You could tell her heart wasn’t in it. Dancing was just a stepping stone. She wasn’t in it for the long haul.
A Guide To Nebbishy Character Actors
This has happened to a couple people I know. It might have even happened to me. Have you ever tried to recall the name of a nerdy bespectacled character actor, where you can picture the person’s face, but can’t remember exactly where you have seen them before?
Scratch your head no longer! Here’s my attempt at being an online resource for people trying to separate the various nebbishy character actors who traditionally wear glasses in their movie and television roles.
If I have left someone out, please let me know. Some nebbishy character actors are more readily identifiable (Rick Moranis, for example) and thus have not been included here.
Stephen Tobolowsky
You may have seen him in:
Memento, Deadwood, Heroes, Groundhog Day
Austin Pendleton
You may have seen him in:
The Muppet Movie, Short Circuit, Oz
Max Wright
You may have seen him in:
ALF, Reds, All That Jazz
Eddie Deezen
You may have seen him in:
Grease, WarGames, Midnight Madness
David Cross
You may have seen him in:
Small Soldiers, Arrested Development, Scary Movie 2, Mr. Show
Robert Carradine
You may have seen him in:
Revenge of the Nerds, The Big Red One, Number One With A Bullet
Stephen Root
You may have seen him in:
Dodgeball, Office Space, NewsRadio
Bob Balaban
You may have seen him in:
Altered States, A Mighty Wind, 2010
George Wyner
You may have seen him in:
Spaceballs, Fletch
Charles Martin Smith
You may have seen him in:
American Graffiti, The Untouchables, Never Cry Wolf
David Paymer
You may have seen him in:
Get Shorty, Searching For Bobby Fischer, Ocean’s Thirteen
I might be stretching it a bit for Mr. Paymer, because in many roles he doesn’t wear glasses. But hey, it’s my guide, so what the heck.
Ron Rifkin
You may have seen him in:
Alias, Husbands and Wives, L.A. Confidential
Jumpin’ Jack Repetition
Hi, excuse me while I share my weird and boring sense of humor with you.
A couple months ago I caught a little bit of The Rolling Stones: Rock and Roll Circus on the teevee. Our cable box happened to be on PBS, and that’s what was playing there.
I was curious what some earlier parts of the show looked like, so went back a little with the DVR (it keeps around two hours of airtime of whatever channel you’re watching in memory).
So I see the Stones play “Jumpin’ Jack Flash”, and after the first verse there’s this odd sort of shot. It starts out on these goofballs in yellow ponchos dancing, then we quickly pan over to Brian Jones, who gives a premeditated, hipper-than-thou nod straight into the camera.
I immediately busted out laughing. I mean, I couldn’t control myself. I then proceeded to rewind the DVR probably fifteen or twenty times so I could see it again. What was it that was so funny to me? It wasn’t just the dancing goofballs, or the whip pan, or Brian Jones nodding to me, it was somehow the combination of all three that I found absolutely heee-larious.
Anyways, I have isolated this shot and repeated it a number of times, and have uploaded it to YouTube.
The results are below. You’re welcome, I guess?





